With full creative freedom over the project, Ashley was given free rein to determine the design direction of this Camp Hill kitchen and develop a modern masterpiece with a soft, feminine feel. Working with a neutral colour palette of warm, earthy tones, the resulting kitchen is a peaceful landscape awash in textural highlights.

Along the back wall sits a run of floor-to-ceiling cabinetry in a wood-look laminate of Oak Cinnamon. Providing ample storage and concealing a fully integrated fridge, the clean lines of the panels are set off by sleek linear hardware in golden brown by Momo Handles.

To the left, the oak-like laminate continues across a row of lower cabinets housing the sink. Topped by a luxurious stone-look solid surface, this wet area is highlighted by a splashback window overlooking the outdoors and pulling in plenty of natural light. Above the sink, upper cabinetry in a contrasting white features a half-round profile in a Dulux Snowy Mountain two-pack finish. The curved texture of the upper cabinetry adds depth and distinction to this side of the kitchen that is picked up on the kitchen island.

A behemoth that clearly defines the kitchen area, the island is a custom inclusion that spans a hefty 8m in length. Symmetrical in nature, the island runs the full width of the kitchen and is divided into three zones. Two seating areas bookend the counter, providing seating for three on each end, while the ceramic cooktop takes centre stage without disturbing the long, linear span of the island surface that provides prep space for any culinary need.

The Staron solid-surface benchtop material by Austaron Surfaces in Ocean View has a sandy texture that waterfalls off the ends and over the front of the island. Arched profiles gracing both ends of the large structure give it some much-needed softness by breaking up the straight lines of the angular edges and creating comfortable eating nooks. The consistent use of arches and curves tie in perfectly with the external design of the home. The same half-round profile panelling as the upper cabinetry over the sink has been utilised to clad the back of the island, offering a further smattering of visual texture and tying the two “blocks” of the kitchen together.

Touches of copper add a burst of fire that brightens the monochromatic neutrality of the space. Metallic Laminex in brushed copper forms the kickboards, connecting the cabinetry to the stone floor. An added banding around the upper and lower edges of the unique rangehood descends from the ceiling. The rangehood itself is a sculptural statement befitting the majesty of the island.

Wrapped in arch-shaped mosaic tiles of travertine, the Sirius rangehood has rounded ends and is centred over the island. Providing a focal point against the long run of linear cabinetry, the striking structure brings in a wealth of curved forms to balance out the geometry of the space. The honed finish gives the tile a matt look that ties in perfectly with the crazy paving on the floor.

Delineating the Camp Hill kitchen as it butts up against the light timber-look flooring throughout the rest of the house, the travertine crazy paving by Haus Collection is the one truly organic form in the mix of straight lines and gentle curves that make up this delightful kitchen.

For more information

Austaron Surfaces

The post A Camp Hill kitchen with natural textures, neutral hues and Austaron surfaces appeared first on Completehome.

With full creative freedom over the project, Ashley Maddison of AM Interior Studio was given free rein to determine the design direction of the kitchen and develop a modern masterpiece with a soft, feminine feel. Working with a neutral colour palette of warm, earthy tones, the resulting kitchen is a peaceful landscape awash in textural highlights.

Along the back wall sits a run of floor-to-ceiling cabinetry in a wood-look laminate of Oak Cinnamon. Providing ample storage and concealing a fully integrated fridge, the clean lines of the panels are set off by sleek linear hardware in golden brown by Momo Handles.

To the left, the oak-like laminate continues across a row of lower cabinets housing the sink. Topped by a luxurious stone-look solid surface, this wet area is highlighted by a backsplash window overlooking the outdoors and pulling in plenty of natural light. Above the sink, upper cabinetry in a contrasting white features a half-round profile in a Dulux Snowy Mountain two-pack finish. The curved texture of the upper cabinetry adds depth and distinction to this side of the kitchen that is picked up on the kitchen island.

A behemoth that clearly defines the kitchen area, the island is a custom inclusion that spans a hefty 8m in length. Symmetrical in nature, the island runs the full width of the kitchen and is divided into three zones. Two seating areas bookend the counter, providing seating for three on each end, while the ceramic cooktop takes centre stage without disturbing the long, linear span of the island surface that provides prep space for any culinary need.

The solid-surface benchtop material by Austaron in Ocean View has a sandy texture that waterfalls off the ends and over the front of the island. Arched profiles gracing both ends of the large structure give it some much-needed softness by breaking up the straight lines of the angular edges and creating comfortable eating nooks. The same half-round profile panelling as the upper cabinetry over the sink has been utilised to clad the back of the island, offering a further smattering of visual texture and tying the two “blocks” of the kitchen together.

Touches of copper add a burst of fire that brightens the monochromatic neutrality of the space. Metallic Laminex in brushed copper forms the kickboards, connecting the cabinetry to the stone floor. An added banding around the upper and lower edges of the unique rangehood descends from the ceiling. The rangehood itself is a sculptural statement befitting the majesty of the island.

Wrapped in arch-shaped mosaic tiles of travertine, the Sirius rangehood has rounded ends and is centred over the island. Providing a focal point against the long run of linear cabinetry, the striking structure brings in a wealth of curved forms to balance out the geometry of the space. The honed finish gives the tile a matt look that ties in perfectly with the crazy paving on the floor.

Delineating the kitchen as it butts up against the light timber-look flooring throughout the rest of the house, the travertine crazy paving by Haus Collection is the one truly organic form in the mix of straight lines and gentle curves that make up this delightful kitchen.

Meeting the client’s desire for light and femininity, this softly hued space is a functional winner cleverly contained by superior finishes that results in a stylish haven of culinary architecture.

For more information

AM Interior Studio

The post A Captivating Blend of Natural Textures and Neutral Hues by AM Interior Studio appeared first on Completehome.

“As part of a new build through Solida Construction, we were able to manifest our design ideas without the imposition of a previous layout. The idea was to create a fresh, clean, contemporary kitchen in order to generate the kind of welcoming appeal all good kitchens should radiate, while ensuring it is highly functional. To achieve this, a light, neutral colour scheme was used in combination with long graceful lines to create a contemporary canvas which exudes a sense of elongation.

A stone upstand was worked into the benchtop to seamlessly hide the sink from the dining area, and an appliance cupboard featuring the horizontal grain used on the island’s base was built into the space. This ensures the kitchen remains uncluttered while introducing an extra element of design continuity to the space. This kitchen project succeeds in beautifully marrying contemporary design with functionality in a practical family space.”

Designer: Meyer Friedman and Julian King for No Fuss Kitchens

For more information

No Fuss Kitchens

Originally in Kitchens Yearbook Issue 21

The post Contemporary class: a neutral masterpiece appeared first on Completehome.

In an area where houses have an average price tag of £7 million (approximately AU$12.5 million) and with notable personalities such as Roman Abramovich, Andrew Lloyd Webber and Joan Collins calling it home, not to mention it being the setting for TV show Upstairs, Downstairs, it’s fair to say Belgravia is a pretty nice place to live.

This Belgravia home, on one of London’s traditional mews (a small street off a larger road traditionally built as stables and accommodation for grooms), is rather special. Originally set over three floors and with an impressive 17,000ft2 area, including two bedrooms, two bathrooms, and a garage, the interior just didn’t live up to expectations.

“The property was lagging behind what is offered in such an affluent area,” says Roselind Wilson, the interior architect charged with the revamp. “It was tired and outdated. Mews houses don’t come anymore expensive to buy anywhere in the world than they do in this part of London. A mews house is always a special project. It comes steeped in character and charm, with compact proportions that make it cosy and quaint.”

Changes to the structural interior layouts, furniture placements, designs of the kitchen, bathrooms, as well as all interior finishes and details including doors, skirtings, joinery, architectural and decorative lighting, the staircase and wall finishes were all part of the plan. The client is a property developer so they wanted it to appeal to the type of buyers likely to be looking in the area.

One of the major changes was to extend the house into the basement; it was to remain a two-bedroom property but over four floors rather than three. The basement was where the new kitchen and dining area would be housed; however, there was one issue: this floor has no windows. To create the illusion that the outdoors is not far away, a wall of fake greenery was installed to great effect.

The living and entertaining areas are on the lower floors, together forming an expansive reception room on the first floor. The master suite runs across the entire top floor and includes an ensuite with Turkish lilac marble and porcelain tiles.

Once the reconfiguration was complete, Roselind’s team, who work in both London and Cape Town, also had a specific idea for the decor. A textured feel with top-quality finishes was the look Roselind went for.

“Materials used are luxurious, textured and defined without being bland. We aimed for a sense of light and warmth; we did not want to go for the cold effect of silver or overstated gold so we opted for a champagne palette to provide a sense of warmth and comfort,” she explains. “This palette was layered through textures in timber and bronze and then echoed through a soft, understated green in leathers and fabrics.

“Bleached floors and textured timbers set against polished and honed marbles with exquisite veining and textured tiles, as well as understated wallpapers, create a subtle sense of glamour. The layers of texture in the finishes allow you to step into the property and feel as though you have been transported to your own sanctuary as it has a wonderful sense of calm.”

In the kitchen, textured timber veneers were chosen for the base cabinetry, with a bespoke battered copper splashback and concrete-effect work surface adding modern touches. Light-stained floors are offset against the dark bronze detailing of the stair handrail as well as the battered bronze of the wall and pendant lights.

Other key features include bespoke joinery, LED lighting and oversized artwork to complement the proportions of the rooms in this most desirable of properties.

Project Details:

• A hugely desirable and traditional mews house in an exclusive part of London
• The home has undergone an interior revamp instructed by a developer
• Reconfiguring the space and matching the interiors to the location were key aims
• Texture, light and warmth are important features of the finished creation

for more information

roselindwilsondesign.com

Photography by Richard Waite

The post Champagne chic: London mews house appeared first on Completehome.

“Whether you’re renovating a home from the Victorian, Federation or Californian Bungalow eras, or even a lovely old country residence, an authentic old-world bathroom can become one of the best rooms in the house. The marble-topped period furniture with detail and glass doors, together with the butcher’s-shop-style tiles with capping, are signature features of a look that spells old-world charm. In this case, the grey rivet cast-iron bathtub adds a rustic industrial feel, perfectly complemented by the hand-beaten antique silver mirror. The design is given a modern edge thanks to the large seamless Villa travertine floor tiles and crisp white walls.”
Designer: Schots Home Emporium

EXPERT TIP: Accessories are a great way to add your own modern, industrial or rustic spin to a traditional bathroom.

WE LOVE: The deep freestanding cast-iron bath you just want to sink into.

For more information:
schots.com.au

Originally from Bathroom Yearbook magazine, Volume 17

The post Old-world bathroom with a modern edge appeared first on Completehome.

“Transformed from two tiny rooms, this sleek and spacious bathroom contains subtle design features for future mobility impairment. We were keen to keep the design simple and practical, with a refined palette and essential elements.

Flooring material was a key consideration and acrylic was chosen with added texture for safety in the shower area. Stylish grab rails were an inspired addition. Integrated double basins, a mirrored cabinet and a custom vanity with a built-in clothes hamper enhance the ample space. And with an elegant personal touch, a feature wall lifts the overall design.”

Designer: Janine Izzo for Brilliant SA

For more information
brilliantsa.com.au

Originally in Kitchens & Bathrooms Quarterly, Volume 20, No 1

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